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Moorbound

A love-letter to Newcastle’s Town Moor, an area of open space larger than Hyde Park in London. On my first visit to the North East in 2017, walking across it everyday to work at Northern Stage was hugely impactful. When it came time to leave London, the memory of the Moor and it’s cows drew me back to Newcastle. In this album I try to evoke the space and the feelings surrounding my relocation

Moorbound (RETREAD)

This album of remixes was created for specially as a reader give away in TQ Zine ito accompany an interview and review of Moorbound (still available on Wormhole World, see above!).
To make the remixes, I loaded stems from each track into Leafcutter John’s Forester software. I used GPS data gathered from dog walks on Nun’s Moor to control the cursor, creating new journies through the material.

OS SANCTUM

After moving to Newcastle in 2021, attending the inaugural Auntie Joy at Holy Cross Church in Ryton led to lasting collaborations and sparked the idea of using the church’s natural acoustics for a surround speaker system. The events became a cherished ritual, blending bell ringing, improvisation, and community connection, culminating in the creation of Os Sanctum, which explores the interplay of ritual, space, and sound through a technique inspired by Alvin Lucier. By recording and re-recording the church bells within the sacred space, the project captured the resonant frequencies of the church, symbolizing the unity of its spiritual and communal essence.

Pillow Therapy

The phrase “Pillow Therapy” came from an article in Vice magazine on coded language nurses use when to alleviate the stresses of the profession. I wrote this EP at a time where I felt huge amounts of anger but didn’t feel I could express it without it leading to negative outcomes both personally and professionally. Instead I channeled the feelings into this music to give them a place and acknowledge their existence and impact.

The Daily Exorcises

When my first long term relationship ended, I was terrified that all the music, film and art that I shared with my former partner would be forever tainted. A few years later, I made a conscious decision to reclaim it – every day listening to a piece that had a strong association with them, and documenting the memory and my reaction to it. Once I had exhausted my recollections, I went about writing music in response to those diary entries.